O
v e r e x p o s e d & U n d e r d
e v e l o p e d
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About Giovanni Lami:
I'm not a firing line
photographer, I try to follow the tradition from Dorothea Lange, Walker Evans
or Paul Strand, through American New Topographers (Rochester 1975), to nowadays
Alec Soth, Richard Renaldi or Mark Power for example, a great interest in
people and lands, and their connections. For my project I always use Large
Format Cameras (8x10" or 4x5"), my photography is more introspective,
with a more pondering attitude compared to many modern photo works.
I try to transcend standard photographic labels, in my pictures there's something
private and intimate; everyone can compare them with his own background, there're
always elements familiar and destabilizing at the same time. I like to speak
with people I take pictures of, talking about them and their thoughts about
the place they live in, that even for a short time only, I share with them.
Taking pictures is really the last step, albeit the most important.
I oppose wide and thoughtful time of large format cameras (with which I work
since 2003) to the modern shooting, and I prefer reality impressed on films
to digital manipulations; reality for sure, or even better: reality's idea.
Results of my research are always objective, almost documentary on the surface.
Every time I join the shot's choice and the shutter's "click" to
the sound (the silence) of my steps, my intent is not only looking, but walking
also, because being inside places, reach and cross them, permits you taking
both subterranean and exterior life's signals. And as you can see, my vision
of cities (and of every place sure) is radically binary: on one side there're
spaces, places, deserted buildings like in a "ghost town" or a "movie
set"; on the other side instead there're faces, looks, human presences.
It's a binocular vision, it lets the viewer make a personal sequence with
an unfocused shape, based on his own life experience. Every face has inside
the place's history rewritten today. Everyday places become surreal, memory's
places and faces look real, clear but unknown, and looking into them, we are
confused.
I try to delete the space between me and the space around, dramas are hanging
on, tensions, tears and tragedies are moved away. "You and your camera
are in there, you're part of that, both think at the same manner" - Paolo
Costantini.
I'd like to put petty (on the surface) details on my pictures, trying to make
them speak, hoping the viewers can find new points or different shudders in
the photograph seeing it more than a time only, everyday life in a new light.
But this is not emotional or romantic: it's only life's matter of fact, and
I'm there to photograph that space, speaking the same language. I want to
catch the silence, not evoking others -fake- images, but isolating it from
the noise around, taking and patiently listening to it. I choose most reality's
invisible part due to everyday speed.
There's something like an apnea while we see everyday life in a different
dimension, like a big still life, we ask our self if we enter/inhabit the
places, or the places live into us.
"where are we now?" maybe on the border of another place, of another
look, however, no more on the outer side.
Si inaugura giovedi' 26 giugno
alle ore 18 nella nuova sede dell'Autorita' Portuale di Ravenna in via Antivo
Squero,
nella darsena di citta', la mostra ''La macchina del porto'' a cura di Sergio
Saggi e Danilo Montanari,
fotografie di Giovanni Lami (catalogo Danilo Montanari Editore).
Giovanni Lami |
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1- D: quale è la tua prima immagine cui ti senti affezionato?
andando molto indietro
negli anni certamente questa. ma davvero, era un'altra vita..
http://i25.tinypic.com/21b6flh.jpg
(emulsione liquida su foglio di acetato con base di colla spray)
in questo ultimo periodo direi senza dubbio questa
http://i25.tinypic.com/22hipv.jpg
la prima scattata in 8x10
2- D: quale è l'attuale foto che senti ti rappresenti di più?
http://i31.tinypic.com/e8v05i.jpg
e
http://i28.tinypic.com/25u16h5.jpg
3- D: cosa hai da mostrarmi oggi di bello?
http://i27.tinypic.com/xcow7p.jpg
4- D: cosa è la fotografia oggi per te?
questo:
http://i31.tinypic.com/k1748j.jpg
e tutto ciò che la scelta comporta.
5- D: creatività: il fine giustifica i mezzi?
http://i25.tinypic.com/259aejk.jpg
L'ultima parola all'autore riguardo a quanto sopra:
http://i28.tinypic.com/2z4z5w6.jpg
http://i26.tinypic.com/2gtotoh.jpg
fine
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